BIBLIOGRAFIA SOBRE REGISTRO

Entre os temas discutidos em sala, temos a questão do registro em processos criativos. A questão da documentação de processos criativos é complexa. Temos diversos desdobramentos e temas para pesquisa como:
1- o registro em processos criativos como criação, como construção, como uma outra obra;
2- o registro e as relações de construção e transmissão de conhecimento, problematizando a ideia de fragilidade, fugacidade de obras e eventos cenicamente orientados.
3- o registro dentro do processo criativo por parte de seus articuladores da cena.
4- Dramaturgia e registro.
5- Dramaturgia e memória
6- Registro de processos criativos e novas tecnologias.
7- uma poética do registro como estética de composição
Algumas palavras: memória,registro, transmissão, esquecimento, arquivos, identidade,
Eis alguns itens bibliográficos


0- bibliografia sobre o tema
link: http://78.158.56.101/archive/palatine/files/1673.pdf

1- Artigos:

AUSLANDER, P. "The Performativity of Performance documentation" PAJ 84(2006):1-10.

(LINK: http://lmc.gatech.edu/~auslander/publications/28.3auslander.pdf)

"Presence" in Absentia: Experiencing Performance as Documentation
Author(s): Amelia Jones
Source: Art Journal, Vol. 56, No. 4, Performance Art: (Some) Theory and (Selected) Practice at the End of This Century (Winter, 1997), pp. 11-18

Barker, Clive. "The Video Documentation of Theatrical Performance" New Theatre Quarterly 38(1994):183-194

A revista Sala preta teve um dossiê todo sobre o tema (9.1 de 2009). Link:http://www.revistasalapreta.com.br/index.php/salapreta/issue/view/11/showToc

2- Tese de doutorado

Theatre and performance photography: documentation and the unlive.

de Joel Anderson

Abstract:

Although theatre and performance photographs often illustrate scholarly works on theatre and performance, and despite recent interest in links between theatre and the still image from both theatre practitioners and theorists, there remains relatively little critical work on theatre photography. This thesis examines theatre photography, implementing approaches that are a departure from habitual conceptions of the photograph as document. Taking the intersection of theatre and photography as a vantage point, this thesis considers how photography might shape theatre rather than recording it, and how this might challenge notions of theatre's constitution, summoning theatre's own stillness, its citation, and its spectrality. This consideration takes place via analysis of a series of instances of theatre photography, interrogating the specific operation of photography and photographs in each. Following the introduction, Chapter 1 gives an overview of existing writing about theatre photography, from questions of archiving to reflection on 'performance documentation'. Chapter 2 concerns photographic studies of the corporeal mime of Etienne Decroux, examining how photographic stillness relates to mime practice. Chapter 3 concerns the theatre photographs of Josef Koudelka, and considers how this work documents disappearance. Chapter 4 focuses on Martine Franck, photographer at the Theatre du Soleil, and examines how theatre photographs correspond to the photographer's other work. The work of this same company is the subject of Chapter 5, where I consider Sophie Moscoso's use of photography as part of a working process, and the ways in which images affect stage practice. Chapter 6 concerns the work of New York performance photographer Dona Ann McAdams, and considers the how photographs perform. The conclusion considers the wider implications of this work, and signals future research that might draw on my findings.

Link tese: https://qmro.qmul.ac.uk/jspui/handle/123456789/1415

3- Programa de curso/disciplina sobre o tema

Disciplina: 

Capturing Liveness: Theatre, Performance and its Documentation. 

University of Glasgow

link: http://www.gla.ac.uk/coursecatalogue/course/?code=THEATRE4066

4- livros

KA,Tamara.  Memória do Efêmero. O DVD-Registro de teatro. Annablume, 2008.

5- Projetos/databases sobre arquivos em teatro

a- Preserving the Ephemeral: An Archival Program for Theater and the Performing Arts

Apresentação do projeto: The University of Minnesota Libraries Performing Arts Archives, in cooperation with Penumbra Theatre Company, is working to create a method of documenting all aspects of theater productions so the resulting materials are preserved for future generations. In this twelve-month planning project, our team of librarians and theater professionals will assess the needs of the theater community—theaters of color in particular—to create and test an archiving plan that is scalable so it can be implemented in theaters of all sizes. Our goal is to better understand how theater professionals do their work, and how we can help preserve the evidence of their work without impeding it or placing an undue burden on theater companies. Ultimately, we want to answer the question: What system can we put in place that will help theaters of all sizes, and theaters of color in particular, to document and archive materials from their productions so they are available for research by future generations of students, scholars, and artists?

Link:https://www.lib.umn.edu/about/ephemeral/

b-THEATER ARCHIVES TOOLKIT. UNIVERSITY OF  MINNESOTA PERFORMING ARTS ARCHIVES

resumo:This site collects and shares resources for theaters who would like to create their own archives and/or find a repository to take their materials.

link:https://sites.google.com/a/umn.edu/tat/home